?????, ????? ????? ???????, ?????????: ??????????????????????????????? ? ???????? ???????????????????? ??????? ??. ???????????
Аннотация
? ?????????? ????????? ???????????????? ????????????????????? ?????????????? ???????????????? ????????????????????? ?????????? ????????? (???????????????????? ????????????????, ???? ?????????? ?? ??? ???????????????, ???????? ?? ??????? ?????????????? ???????????). ?????????? ?????????????? ?????????????? ??????????????????????????? ?? ?????????????????????????? ??????????? ??????????????????????????? ?? ???????????? ????????????????????? ??, ?? ??????????????, ?????????????????????? ???????????????. ?????????????? ?????????????? ???????????????????? ?? ??????????????????????? ?? ????????? ????????????????-???????????????????? ???????????????? ????????????.
????????? ??? ?????????????????? ??????????? ??????????????? ?? ???????????? ?? ????????? ????? ?????????? ????????????????????????? ?????????? ????-???????????. ?????, ?? ??????????? ???????????????? ???????? ?????????????????????????????, ????????????????????? ??????????????????????? ?????? ?????????????????? ?? ????? ?????????????????????? ???????????????????? ?????????????; ?????????????????? ???????? ???????????????????????? ????????????? ??????????? ??????? ????????????? ??????????? ???????????? ??????????????. ???????? ???? ?????????? ?? ??? ??????????????? ???????????????????? ????????????????????????? ???????????????????? ?????????????, ?????????????????????? ???????? ?????????? ???????????????????????? ????????? ???????????????????; ???????????-??????????????? ?????????????????? ?????????????????; ??????????????????????? ?????????? ???????????????????? ?????????????????????? ??????????????. ?????????????????????? ?????????, ?????????????????????? ??????? ????? ??????? ?????? ????????????, ???????????? ????????????????????? ??????????????? ??????????????????????? ?? ????????????? ????????????????????? ????????????; ???????? ???????, ?? ??????????? ??????????? ???????????????????? ?? ??????????????????? ?????????????????????????? ??????????? ???????????????????? / ??????????????????????? ?????????????? ????????. ???????????, ?? ??????????? ??????? ?????????????? ??????????? ???????? ????????????????? ??? ???????????????????? ??????????????????? ?? ?????????? ???????? ???????-??????????????, ?????????? ?? ????????????????? ???????? ?? ???????????? / ?????????.
??????????? ????????: ???????????????????????????, ???????????????????? ?????????????, ???????????? ??????????????????, ??????? ???????, ?????????? ???????????, ??????? ?????????????? ?????????? ?? ?????????? ???????????, ????????.
DOI 10.18522/2415-8852-2020-4-35-52
Полный текст:
PDFЛитература
????????, ??. ?????????? ???????????. ????????????? ??????? / ????. ?? ??. ??. ?????????. ??.: ????????, 2015.
?????????????????????, ??.??. ???????????? ??????????????????? ???????????? (??? ??????????? ???????????? ??. ?????????): ?????????. ??????. ? ???????. ???????. ???????. ??????????-???-???????, 2001.
Abel, L. (1963). A new view of dramatic form. New York: Hill and Wang.
Boxall, P. (2009). Since Beckett. Contemporary writing in the wake of modernism. London: Continuum.
Collinge-Germain, L. (2009). Cultural inbetweenness in ??L?expuls??? / ??The Expelled?? by Samuel Beckett. Journal of the Short Story in English, 52, 1?6.
Garc?a Landa, J.A. (1994). ??Till nohow on??: the later metafiction of Samuel Beckett. In Th. D?haen, & H. Bertens (Eds.), Postmodern Studies. Amsterdam: Rodopi, 7, 63?76.
Herman, D., Manfred, J., & Ryan, M.-L. (Eds.). (2005). Routledge encyclopedia of narrative theory. London: Routledge.
Hunter, A. (2007). The Cambridge introduction to the short story in English. Cambridge: Cambridge University Press.
Macrae, A. (2019). Discourse deixis in metafiction. The language of metanarration, metalepsis and disnarration. London and New York: Routledge.
McHale, B. (1987). Postmodernist fiction. London: Routledge.
N??nning, A. (2005). On metanarrative: towards a definition, a typology and an outline of the functions of metanarrative commentary. In J. Pier (Ed.), The dynamics of narrative form: studies in Anglo-American narratology. Berlin: Gruyter, 11?57.
Stonehill, B. (1988). The self-conscious novel. Artifice in fiction from Joyce to Pynchon. Philadelphia: University of Pennsylvania Press.
Tomaru, Y. (2017). Variations on a theme by the first-person: Samuel Beckett?s pursuit of the first-person narration. In M. Bariselli, N.M. Bowe, & W. Davies (Eds.), Samuel Beckett and Europe: history, culture, tradition. Cambridge: Cambridge Scholars Publishing, 119?145.
References
Abel, L. (1963). A new view of dramatic form. New York: Hill and Wang.
Beckett, S. (2015). Pervaya lyubov?. Izbrannaya proza [First Love. Selected prose] (M. Dadyan, Trans.). Moscow: Tekst.
Boxall, P. (2009). Since Beckett. Contemporary writing in the wake of modernism. London: Continuum.
Collinge-Germain, L. (2009). Cultural inbetweenness in ??L?expuls??? / ??The Expelled?? by Samuel Beckett. Journal of the Short Story in English, 52, 1?6.
Garc?a Landa, J.A. (1994). ??Till nohow on??: the later metafiction of Samuel Beckett. In Th. D?haen, & H. Bertens (Eds.), Postmodern studies. Amsterdam: Rodopi, 7, 63?76.
Herman, D., Manfred, J., & Ryan, M.-L. (Eds.). (2005). Routledge encyclopedia of narrative theory. London: Routledge.
Hunter, A. (2007). The Cambridge introduction to the short story in English. Cambridge: Cambridge University Press.
Macrae, A. (2019). Discourse deixis in metafiction. The language of metanarration, metalepsis and disnarration. London and New York: Routledge.
McHale, B. (1987). Postmodernist fiction. London: Routledge.
Miroshnichenko, O.S. (2001). Poetika sovremennoj metaprozy (na materiale romanov A. Bitova) [Poetics of modern metaprose (a case study of Andrei Bitov?s novels)] (Synopsis of Doctoral Dissertation, Rostov State University, Rostov-on-Don).
N??nning, A. (2005). On metanarrative: towards a definition, a typology and an outline of the functions of metanarrative commentary. In J. Pier (Ed.), The dynamics of narrative form: studies in Anglo-American narratology. Berlin: Gruyter, 11?57.
Stonehill, B. (1988). The self-conscious novel. Artifice in fiction from Joyce to Pynchon. Philadelphia: University of Pennsylvania Press.
Tomaru, Y. (2017). Variations on a theme by the first-person: Samuel Beckett?s pursuit of the first-person narration. In M. Bariselli, N.M. Bowe, & W. Davies (Eds.), Samuel Beckett and Europe: history, culture, tradition. Cambridge: Cambridge Scholars Publishing, 119?145.
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