????????????????????????????????? ?? ????????????????????? ???????????? ??????????
Аннотация
? ???????? ??????????????????? ???????????????????????????????? (???????????????????????? ??????????????????? ??????????????? ??????????? ??????????????) ????? ?????????????????????? ????????????????? ???????????? ?????????, ?? ????????????? ?????????? ????????????????????? ????????????????????? ?????????? ?? ????????????????? ??? ?????????, ? ?????? ????? ???????????????????? ????????? ??? ???????? ?????????????? ?????????????????????. ???????? ????????? ?? ??????????????????????????????????, ???? ????????????????????????? ?????????? ??? ?????????????? ????? ????????? ????????????, ????? ??????????, ?? ???????????, ??????? ???????????? ??????????, ??? ???????????????? ????????????? ????????????????????????????????. ???????? ??????? ?????? ??????????????????? ??????????????????? ??????? ????????????????????????????????, ???????????????? ?????????????????????? ???????????? ?????????, ???????????? ?? ????????????? ??????????????? ???????-???????????????????????. ??? ?????????? ????????? ????????????? ??????? (1992) ?????? ??????????? ??????????????????, ????? ???????????? ????????, ????????????? ??? ???????? ?????????????????? ????????????????? ?????????????, ?????????? ????????????????????? ??????????????????????? ????? ???????????????????? ????????????????? ?????????? ?? ??????????????????????????? ???????????????????? ??????????. ???????????????? ????????????? ?????????????????????????????? ?????????????????????????, ????????????????????? ???????????????????????? ??????????????????????????? ???????????????????? ?? ???????????????????????? ??????????????????? ?? ??????????????????? ?????????, ???? ????????????? ????????? ??????????????????? ?? ??????????????? ?? ???????????????? ????? ??????????????????? ???????????, ???? ??? ??????? ??? ??????????? ????????????? ???????????. ????????? ??????????, ????????? ?????????? ??????????? ??????????? ???????????????????? ????????????? ???? ????????????????? ?????????? ?? ????????????????????? ??????????. ????????? ???????? ???????????????????????? ????? ?????????????????????? ?????????????? ??????????? ?. ???????? ?? ?????????????? ??????????????? ???????? ?? ????? ?????????????????? ??? ????? ??????????? ?????????????????????? ?????????? ??? ?????????????? ????????????????????????????????.?
??????????? ????????: ????????????????????????????????, ????????????????????? ???????????? ?????????, ???????- ?? ????????????? ?????????????????????, ????????????? ???????, ???????????? ????????, ???????-?????????????????????
???? ??????????????????: ?????????????, ??. ???????????????????????????????? ?? ????????????????????? ???????????? ????????? // ????????????? ?? ??????????????????: ???????? ??????????????????????, ???????????????????? ?? ??????????????? ?????????????????????. 2022. ??. 7. ? 1. ??. 67?84. DOI: 10.18522/2415-8852-2022-1-67-84
Полный текст:
PDFЛитература
?????????????, ??. (2014). ??????????? ????????????? ????????????. ??????????? ????????????????????????????? ???????????? // ???????????? ?? ???????-????????????????????? / ?????? ????. ??. ?????????????. ??.: ?????????????????? ?????????????? ?????????. ??. 7?76.
Aaron, M. (Ed.). (2004). New queer cinema. A critical reader. New Brunswick: Rutgers University Press.
Benshoff, H.M., & Griffin, S. (2004). Queer ??inema. The film reader. New York: Routledge.
Benshoff, H.M., & Griffin, S. (2010). Queer images. A history of a gay and lesbian film in America. Lanham: Rowman & Littlefield.
Blumenberg, H. (1960). Paradigmen zu einer Metaphorologie. Archiv f??r Begriffsgeschichte, 6, 5?142.
Bronfen, E. (2004). ??You?ve got a great big dollar sign where most women have a heart??. Refiguration der Femme fatale im Film Noir der 1980er- und 1990er-Jahre. In C. Liebrand, & I. Steiner (Eds.). Genre und Gender im zeitgen?ssischen Mainstream-Film. Marburg: Sch??ren, 91?135.
Butler, J. (1993). Bodies that matter. On the discursive limits of ??sex?. New York, London: Routledge.
Creekmur, C.K. & Doty, A. (1995).
Introduction. In C. K. Corey & A. Doty (Eds.), Out in culture. Gay, lesbian, and queer essays on popular culture. Durham, London: Duke University Press.
Crenshaw, K. (1989). Demarginalizing the intersection of race and sex: a black feminist critique of antidiscrimination doctrine, feminist theory and antiracist politics. The University of Chicago Legal Forum, 1, 139? 167.
Crewe, J. (1995). In the field of dreams: transvestism in ??Twelfth Night?? and ??The Crying Game??. Representations, 50, 101?121.
Dyer, R. (1997). White. London: Routledge.
Evans, N. (1998). Games of hide and seek: race, gender and drag in ??The Crying Game?? and ??The Birdcage??. Text and Performance Quarterly, 18, 199?216.
Gradinari, I. & Pause, J. (2018). Medialisierungen der Macht. Zur Gegenwart des politischen Kinos. In I. Gradinari, N. Immer, & J. Pause (Eds.), Medialisierungen der Macht. Filmische Inszenierungen politischer Praxis. Paderborn: Wilhelm Fink, 9?30.
Gradinari, I. & Ritzer, I. (2021). Einleitung: Genre und Race ? ein zu ber??cksichtigendes Verh?ltnis. In I. Gradinari, I. Ritzer (Eds.), Genre und Race. Mediale Interdependenzen von ?sthetik und Politik. Wiesbaden: Springer, 1?23.
Halberstam, J. (2005). In a queer time and place: transgender bodies, subcultural lives. New York: NYU Press.
Handler, K. (1994). Sexing ??The Crying Game??. Difference, identity, ethics. Film Quarterly, 47(3), 31?42.
Hilmes, C. (1990). Die Femme fatale. Stuttgart: Metzler.
Kohnen, M. E.S. (2008). The adventures of a repressed farmboy and the billionaire who loves him: queer spectatorship in ??Smallville?? fandom. In S.M. Ross, & L.E. Stein (Eds.), Teen television: essays on programming and fandom, Jefferson: McFarland, 207?223.
Mulvey, L. (1985). Visual pleasure and narrative cinema. In G. Mast, & M. Cohen (Eds.), Film theory and criticism. Introductory readings (3rd ed.). New York, Oxford: Oxford University Press, 803?816.
Stein, G. (Ed.). (1985). Femme fatale ? Vamp ? Blaustrumpf, Sexualit?t und Herrschaft. Kulturfiguren und Sozialcharaktere des 19. und 20. Jahrhunderts. Frankfurt a. M.: Fischer, 231?234.
Walgenbach, K., Dietze, G., Hornscheidt, L., & Palm, K. (2007). Gender als interdependente Kategorie. Neue Perspektiven auf Intersektionalit?t, Diversit?t und Heterogenit?t. Opladen: Budrich Verlag.
White, P. (1999). unInvited. Classical
Hollywood cinema and lesbian representability. Bloomington: Indiana University Press.
Winker, G., & Degele, N. (2010). Intersektionalit?t. Zur Analyse sozialer Ungleichheiten. Bielefeld: transcript.
Zizek, S. (1993). From courtly love to ??The Crying Game??. New Left Review, I/202, 95?108.
???????????????????
Jordan, N. (1992). The Crying Game [Motion Picture]. United Kindom, Japan: Palace Pictures, Channel Four Films, British Screen, Nippon Film Development.
References
Aaron, M. (Ed.). (2004). New queer cinema. A critical reader. New Brunswick: Rutgers University Press.
Benshoff, H.M., & Griffin, S. (2004). Queer ??inema. The film reader. New York: Routledge.
Benshoff, H.M., & Griffin, S. (2010). Queer images. A history of a gay and lesbian film in America. Lanham: Rowman & Littlefield.
Blumenberg, H. (1960). Paradigmen zu einer Metaphorologie [Paradigms for a metaphorology]. Archiv f??r Begriffsgeschichte [Archive for the history of concepts], 6, 5?142.
Bronfen, E. (2004). ??You?ve got a great big dollar sign where most women have a heart??. Refiguration der Femme fatale im Film Noir der 1980er- und 1990er-Jahre. In C. Liebrand, & I. Steiner (Eds.), Genre und Gender im zeitgen?ssischen Mainstream-Film [Genre and gender in contemporary mainstream film]. Marburg: Sch??ren, 91?135.
Butler, J. (1993). Bodies that matter. On the discursive limits of ??sex?. New York, London: Routledge.
Creekmur, C.K., & Doty, A. (1995). Introduction. In C. K. Corey, & A. Doty (Eds.), Out in culture. Gay, lesbian, and queer essays on popular culture. Durham, London: Duke University Press.
Crenshaw, K. (1989). Demarginalizing the intersection of race and sex: a black feminist critique of antidiscrimination doctrine, feminist theory and antiracist politics. The University of Chicago Legal Forum, 1, 139? 167.
Crewe, J. (1995). In the field of dreams: transvestism in ??Twelfth Night?? and ??The Crying Game??. Representations, 50, 101?121.
Dyer, R. (1997). White. London: Routledge.
Evans, N. (1998). Games of hide and seek: race, gender and drag in ??The Crying Game?? and ??The Birdcage??. Text and Performance Quarterly, 18, 199?216.
Gradinari, I., & Pause, J. (2018). Medialisierungen der Macht. Zur Gegenwart des politischen Kinos [Medialisations of power. On the present of political cinema]. In I. Gradinari, N. Immer, & J. Pause (Eds.), Medialisierungen der Macht. Filmische Inszenierungen politischer Praxis [Medialisations of power. Cinematic stagings of political practice]. Paderborn: Wilhelm Fink, 9?30.
Gradinari, I., & Ritzer, I. (2021). Einleitung: Genre und Race ? ein zu ber??cksichtigendes Verh?ltnis [Introduction: genre and race ? a relationship to be considered]. In I. Gradinari, & I. Ritzer (Eds.), Genre und Race. Mediale Interdependenzen von ?sthetik und Politik [Genre and race. Media interdependencies of aesthetics and politics]. Wiesbaden: Springer, 1?23.
Gradinari I. (2014). Vvedeniye v kvirissledovaniya [Introduction to queer studies]. In I. Gradinari (Ed.), Tekhnika ?kosogo vzglyada?. Kritika geteronormativnogo poryadka [The ??oblique eye?? technique. A critique of the heteronormative order]. ??oscow: Izdatel?stvo instituta Gaydara, 7?76.
Halberstam, J. (2005). In a queer time and place: transgender bodies, subcultural lives. New York: NYU Press.
Handler, K. (1994). Sexing ??The Crying Game??. Difference, identity, ethics. Film Quarterly, 47(3), 31?42.
Hilmes, C. (1990). Die Femme fatale. Stuttgart: Metzler.
Kohnen, M. E.S. (2008). The adventures of a repressed farmboy and the billionaire who loves him: queer spectatorship in ??Smallville?? fandom. In S.M. Ross, & L.E. Stein (Eds.), Teen television: essays on programming and fandom, Jefferson: McFarland, 207?223.
Mulvey, L. (1985). Visual pleasure and narrative cinema. In G. Mast, & M. Cohen (Eds.), Film theory and criticism. Introductory readings (3rd ed.). New York, Oxford: Oxford University Press, 803?816. Stein, G. (Ed.). (1985). Femme fatale ? Vamp ? Blaustrumpf, Sexualit?t und Herrschaft. Kulturfiguren und Sozialcharaktere des 19. und 20. Jahrhunderts [Femme fatale ? vamp ? bluestocking, sexuality and domination. Cultural figures and social characters of the 19th and 20th Century]. Frankfurt am Main: Fischer, 231?234.
Walgenbach, K., Dietze, G., Hornscheidt, L., & Palm, K. (2007). Gender als interdependente Kategorie. Neue Perspektiven auf Intersektionalit?t, Diversit?t und Heterogenit?t [Gender as an interdependent category. New perspectives on intersectionality, diversity and heterogeneity]. Opladen: Budrich Verlag.
White, P. (1999). unInvited.
Classical Hollywood cinema and lesbian representability. Bloomington: Indiana University Press.
Winker, G., & Degele, N. (2010). Intersektionalit?t. Zur Analyse sozialer Ungleichheiten [Intersectionality. On the analysis of social inequalities]. Bielefeld: transcript.
Zizek, S. (1993). From courtly love to ??The Crying Game??. New Left Review, I/202, 95?108.
Filmography Jordan, N. (1992). The Crying Game [Motion Picture]. United Kindom, Japan: Palace Pictures, Channel Four Films, British Screen, Nippon Film Development.
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