??????? ?????????? ?? ??????????????????????? ??????????
Аннотация
? ???????? ?????????????????????? ?????????????? ??????? ??????????????????? ???????????????? ?????????????????? ????? ????????? ?? ??????????????????????? ?????????????. ??????????????????? ??????? ???????????????????????? ???????? ?? ??????????????????????? ??????????? ????????????, ?? ????????????????? ?????????? ???????????? ???????? ????? ????????????????????????????? ????????????? ???????????????????????????? ???????, ??????????????? ????????????? ????? ??????????????????????? ????????????? ?? ?????? ??????????????????????????????? ????????? ?? ?????????? ?? ????????????????? ???????? ??????????????????????? ????????? (???????????????-?????????????????????????? ???????? ?????????????, ???????????????????? ????????, ???????????????? ?? ?????????????????? ????????? ??All the Year Round??). ????????? ????????? ????????????????? ????????????????????????? ?????? ?? ???????????????? ??????????????????? ???????? ?? ??????? ?????????????????????? ?????????????? ?? ????????????? ???????????????, ????????? ????????????????? ???????????????? ??????????????????????? ????????? ??? ????????????????? ??????????????????????, ?? ?? ????????????????? ?????????????? ?? ???????????????? ?????????????????? ?? ??????????? ????????????????? (??????? ???????????, ??????????????????? ????????????????????? ??????????????, ???????????????????, ???????????, ????????? ???????? ???????????????????? ????????????). ?????????????????? ??????????????, ???? ????????????????????? ????????????????? ????????????????? ????????????????, ??????????????? ??????????????????? ?? ????????????????? ???????????????????????? ??????????? ??????????????????????? ????????? ??? ?????????? ??????????????????, ???? ?? ??????? ????? ??????? ?????????????????????? ???????????. ?????? ???????? ????????????? ????? ????????????????? ????? ??????????????????? ?? ??????????????????? ???????????? ?? ?????????? ????? ????????? ??? ??????????????? ?? ?????????????? ???????????????????????????????? ???????????. ????????? ????????? ?? ???????????????? ??????????????????: ???????????????? ??????????? ????????????????? ??????????????????? ?????????????? ??????????????? ????? ???????????? ???????? (??????????????? ???? ???????????????????? ??????? ????????, ????????????? ?????????????????????? ??????????? ????????????????? ????????; ?????????????? ?? ???????????????? ???????????????????????, ???????, ????????????????? ???? ????? ???????? ?????????). ?????????????????????? ????????? ??????????? ?? ????????????? ??????????????????????? ????????? ?????? ???????????? ?? ????????????? ????????????? ?????????????????????? ???????????, ??????????????????????? ??????????????????? ???????? ????????????? ??????.
??????????? ????????: ????? ?????????, ??????????????????????? ?????????, ???????????????????????????? ????????, ????????????, ???????????????????? ????????, ???????????????-?????????????????????????? ????????, ???????????????? ????????????????
???? ??????????????????: ????????, ??.??. ????? ????????? ?? ??????????????????????? ????????? // ????????????? ?? ??????????????????: ???????? ??????????????????????, ???????????????????? ?? ??????????????? ?????????????????????. 2022. ??. 7. ? 3. ??. 185?202. DOI: 10.18522/2415-8852-2022-3-185-202
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????????????, ??.??. ???????? ????? ???????????????? ?? ????????? ???????? ???????????? ??????????????? (1985) // Symbolika form artystcznych w Europejskiej tradycji kulturowej: zdodla, funkcje, aktualizacja i redukcja. Siedlce, 2012. ??. 87?93.
?????????????, ??.?. ????????-?????????? ????? ???????????? ????????????????????? ????????? ????? ????????? / ?????????????? ???????????? ???????????? ? ?????????????? ????????????????? ??????: ??. ???????. ??????? / ?????? ????. ??.?. ????????????, ?.??. ????????????, ??.?. ??????????? ?? ???. ? ??????????? ????, 2013. ?????. 10. ??. 110?125.
???????????????, ?.?. ???????????????? ???????????????? ???????? ?? ????????? ???????????????????????. ??. ???????????????: ?????????????????? ????????????????????????? ??????????????????, 2013.
Buchanan, R. (1862). ??Society?s lookingglass??. Temple Bar, 6, 129?37.
Ciocia, S. (2007). ??Queer and verdant??: the textual politics of Sarah Waters?s Neo-Victorian novels. Literary London, 5(2), 2, 1?15.
Dennis, A. (2008). Sarah Waters on NeoVictorian narrative celebrations and why she stopped writing about the Victorian era. NeoVictorian Studies, 1:1, 41?52.
Heilmann, A., & Llewellyn, M. (2010). The Victorians in the Twenty-First Century, 1999? 2009. Basignstoke: Palgrave Macmillan.
Hicklin, ??. (2014). On a picnic outing with best-selling author Sarah Waters. Out. Retrieved from: https://www.out.com (date of access: 29.09.2022).
Hutcheon, L. (1988). A poetics of postmodernism: history, theory, fiction. London: Routledge.
Kaplan, C. (2007). Victoriana: history, fictions, criticism. Edinburgh: Edinburgh UP.
Loesberg, J. (2007). ????The afterlife of Victorian sexuality: Foucault and Neo-Victorian historical fiction??. Clio, 36.3, 361?89.
McCarthy, M. (2000). The construction of identity in Victorian sensation fiction (Doctoral Dissertation, University of Oxford, Oxford).
Moretti, (1983). Signs taken for wonders: essays in the sociology of literary forms. London: Verso.
Ple??ke, N. (2014). The intelligible metropolis: urban mentality in contemporary London novels. Bielefeld: Verlag.
Pykett, L. (2003). The Newgate novel and sensation fiction 1830?1868. In M. Priestman (Ed.), The Cambridge companion to crime fiction. Cambridge: Cambridge University Press.
Showalter, E. (1978). A literature of their own: British woman novelists from Bronte to Lessing. London: Virago.
Tillotson, K. (1969). The lighter reading of the 1860?s. Introduction to W. Collins, The Woman in White. Boston, Mass.: Dover.
Wynne, D. (2001). The sensation novel and the Victorian family magazine. London: Palgrave MacMillan.
References
Buchanan, R. (1862). ??Society?s looking-glass??. Temple Bar, 6, 129?37.
Ciocia, S. (2007). ??Queer and verdant??: the textual politics of Sarah Waters?s Neo-Victorian novels. Literary London, 5(2), 2. Pp. 1?15.
Dennis, A. (2008). Sarah Waters on NeoVictorian narrative celebrations and why she stopped writing about the Victorian era. NeoVictorian Studies, 1:1, 41?52.
Dzhumaylo, O. A. (2012). Gorod kak palimpsest v romane Pitera Akrojda ??Khoksmur?? (1985) [The city as a palimpsest in Peter Ackroyd?s Hawksmoor (1985)]. Symbolika form artystcznych w Europejskiej tradycji kulturowej: zdodla, funkcje, aktualizacja i redukcja [Symbolism of artistic forms in the European cultural tradition: goodness, functions, actualization and reduction]. Siedlce, 87-93.
Heilmann, A., & Llewellyn, M. (2010). The Victorians in the Twenty-First Century, 1999? 2009. Basignstoke: Palgrave Macmillan.
Hicklin, ??. (2014). On a picnic outing with best-selling author Sarah Waters. Out. Retrieved from: https://www.out.com (date of access: 29.09.2022).
Hutcheon, L. (1988). A poetics of postmodernism: history, theory, fiction. London: Routledge.
Kaplan, C. (2007). Victoriana: history, fictions, criticism. Edinburgh: Edinburgh UP.
Loesberg, J. (2007). ????The afterlife of Victorian sexuality: Foucault and Neo-Victorian historical fiction??. Clio, 36.3, 361?89.
McCarthy, M. (2000). The construction of identity in Victorian sensation fiction (Doctoral Dissertation, University of Oxford, Oxford).
Mokhnacheva, O. V. (2013). Roman pastish kak otrazhenie khudozhestvennykh mirov Sary Uoters [The pastiche novel as a reflection of the artistic worlds of Sarah Waters]. In S. Kovpik, V. A. Gamanyuk, & A. V. Kozlov (Eds.), Aktualni problemi v filologii I metodiki-vikladannya-mov [Relevant issues in philology and methods of language teaching]. Krivij Rig, 10, 110-125.
Moretti, (1983). Signs taken for wonders: essays in the sociology of literary forms. London: Verso.
Novikova, V. G. (2013). Britanskij socialnyj roman v ehpokhu postmodernizma [British social novel in the era of postmodernism]. Nizhnij Novgorod: Izdatelstvo Nizhegorodskogo universiteta.
Ple??ke, N. (2014). The intelligible metropolis: urban mentality in contemporary London novels. Bielefeld: Verlag.
Pykett, L. (2003). The Newgate novel and sensation fiction 1830?1868. In M. Priestman (Ed.), The Cambridge companion to crime fiction. Cambridge: Cambridge University Press.
Showalter, E. (1978). A literature of their own: British woman novelists from Bronte to Lessing. London, Virago.
Tillotson, K. (1969). The lighter reading of the 1860?s. Introduction to W. Collins, The Woman in White. Boston, Mass.: Dover.
Wynne, D. (2001). The sensation novel and the Victorian family magazine. London: Palgrave MacMillan.
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