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Аннотация
? ???????? ?????????????????? ????????????? ????? ???????????????????? ????? ????? ??????????????????????? ????????????? ?? ????????? ???????????? (1951) ????????????? ??????????????????????? ???????????? ???????????? ?????????. ????????? ???????????? ????????????? ???????????????????? ?????????????? ??????????? ??????????? ?????????? ?????????????? ?? ???????????? ????????? ???????? ???????????????????? ???????????????????? ?????????? ????????? ?? ???????????????????????? ??? ?????????????? ?????????????, ??????????????????? ???-?? ?????????????????????? ?????????????????? ?????????????? ?? ??????????????? ??????. ?????????? ??????????? ?? ??????? ?????????????? ?????????????? ??????????????????????? ?? ????????? ????????????????????????? ????????????????? ?????????????, ?????, ????????????????????, ??????????????????? ???? ?? ??????. ????? ??????? ???????????? ?????????????????????? ?????????? ????????????????? ????? ????????? ?????????????????? ???????????????? ?????? ?? ?????????????? ??? ?? ?????; ? ????????? ?????????????? ?????????????????????? ?? ???????? ????????????????? ????????????????? ?? ????????????????? ??????????????? ?????????????.
??????????? ????????: ??????????? ????????, ????????????, ??????? ??????????????, ???????????????????????? ?????????, ????????????????????????? ?????????????????, ????????????, ????????????.
DOI 10.18522/2415-8852-2020-4-79-93
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???????????, ??.?. ????????????????? ????????? / ????. ?? ?????. ??.?. ??????????. ??.: ???????????????, 2001.
????????, ??. ??????????. ????????? ?????????? / ????. ?? ??????. ?? ??. ?. ????????. ?????.: ?????????, 2000.
???????????, ?.?. ??????? ??? ?????????: ?????????? ????? ?????????????? ???????? ?? ?. ????????? ?? ??. ?????????. ??.: ????????? ???????????????? ?????????????, 2002.
Beckett, S. (2009). Three novels: Molloy, Malone Dies, The Unnamable. New York: Grove Press.
Duncan, A. (2016). Communing with machines: The bicycle as a figure of symbolic transgression in the posthumanist novels of Samuel Beckett and Flann O?Brien. In J. Withors, D.P. Shea, & Z. Furness (Eds.), Culture on two wheels: the bicycle in literature and film. Lincoln: University of Nebraska Press.
Graver, L., & Federman, R. (Eds.). (1997). Samuel Beckett: the critical heritage. London: Psychology Press.
Kenner, H. (1961). Samuel Beckett: a critical study. New York: Grove Press.
Pattie, D. (2000). The complete critical guide to Samuel Beckett. London and New York: Routledge.
Webb, E. (2014). Samuel Beckett: a study of his novels. Seattle: University of Washington Press.
References
Adorno, T. (2001). ?sthetische Theorie [Theory of aesthetics]. (A. Dranov, Trans.). Moscow: Respublika.
Beckett, S. (2000). Molloy. Malone dies (V. Molot, Trans.). Saint Petersburg: Amfora.
Beckett, S. (2009). Three novels: Molloy, Malone Dies, The Unnamable. New York: Grove Press.
Duncan, A. (2016). Communing with machines: The bicycle as a figure of symbolic transgression in the posthumanist novels of Samuel Beckett and Flann O?Brien. In J. Withors, D.P. Shea, & Z. Furness (Eds.), Culture on two wheels: the bicycle in literature and film. Lincoln: University of Nebraska Press.
Graver, L., & Federman, R. (Eds.). (1997). Samuel Beckett: the critical heritage. London: Psychology Press.
Kenner, H. (1961). Samuel Beckett: a critical study. New York: Grove Press.
Pattie, D. (2000). The complete critical guide to Samuel Beckett. London and New York: Routledge.
Tokarev, D. (2002). Kurs na khudsheye: absurd kak kategoriya teksta u D. Kharmsa i S. Bekketa [A course for the worse: absurd as the textual category in the works of D. Kharms and S. Beckett]. Moskow: Novoe literaturnoe obozrenie.
Webb, E. (2014). Samuel Beckett: a study of his novels. Seattle: University of Washington Press.
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