??????????? ???????????????????? ? ??????????????????? ????????????? ?.?. ??????????


Аннотация


??????????? ????????????????????????? ????????????????? ??????? ???????? ?? ??????? ???????????????????????? ???????????? ?? ??????????????????? ?.?. ?????????? ?????????????????????? ??? ??????????? ????? ??????? ??????????????????? ???????????? ????????????????, ???????????? ?????????? ??????????? ?? ???????????????. ???????????????? ??????????? ???????? ????????????? ?????????? ?? ???????????????? ????????????? ???????????? ????????, ???????????? ????????? ????? ???????????????? ?????????? ???????????????????????? ?? ????????? ?????????? ?? ???????, ??????????? ???????????????? ????? ??????????????? ?? ???????????????? ????????????. ? ?????????? ??????????????? ? ?????? ???????????? ?????????????????, ? ?????? ???, ????? ??????????? ?????????? ??????????????? ??????? ????? ?????????????? ?? ?????????? ???????????? ??????????. ?????????? ?????????????? ?????????????? ???????????????????????? ??????????? ???????????, ??????????? ??????????????? ?? ?????????????????????? ????????????????? ??? ????????? ?????? ????????????????????? ???????????????? ?????????? ????????. ? ???????????? ????????????????????? ??????????????????, ???? ?????????????????????? ?? ??????? ?????????? ????????????? ??? ??????????? (???????? ????????????, ???????? ??????????? ?? ???????????), ??? ??????????? ???????????????? ?? ?????????????????? ????????. ????????? ????? ????????????????? ????????????? ?????????? ??? ?????????????? ?????????????? ?????????????????? ???????????????????????, ????????? ??????????? ?? ????????????????????????? ????????????? ??????????????????????? ???????, ??????????? ?? ?????? ?????????? ???????????????? ????????????????? ????????????? ?? ???????? (??. ??? ???????????????????, ??. ?????????).

??????????? ????????: ?.?. ?????????, ???????????? ????????, ?????????????????, memory studies, ???????????? ????????????, ???????????????? ?????????, ??????????

???? ??????????????????: ??????????????????, ?.??. ??????????? ????????????????? ?? ????????????????? ????????????? ?.?. ?????????? // ????????????? ?? ??????????????????: ???????? ??????????????????????, ???????????????????? ?? ??????????????? ?????????????????????. 2022. ??. 7. ? 1. ??. 100?111. DOI: 10.18522/2415-8852-2022-1-100-111


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Литература


???????????, ??. ??????????? ?????? ??????????????: ??????????????????? ???????????? ?? ??????????????????? ????????????? / ????. ?? ?????. ????????? ????????????????. ??.: ????????? ???????????????? ?????????????, 2014.

?????????, ?.?. ????????????? / ????. ?? ?????. ??. ???????????????. ?????.: ?????????-?????????????, 2006.

?????????, ?.?. ????????? ?????????? / ????. ?? ?????. ??. ???????????????. ??.: ????????? ??????????????????, 2016.

?????????, ?.?. ?????????????????? ???????????? ??????????????? / ????. ?? ?????. ??. ????????????. ??.: ????????? ??????????????????, 2019.

??????????, ??.??. ?????? ???????? ?? ???????????? ?????????? ?????????????? XX ??????: ?????? ?.?. ??????????: ?????????. ??????. ... ???????. ???????????. ???????. ??., 2021.

???????, ??. ??????????????? ?????????????????: ???????????? ?? ???????????????? ???????????? ???????? ??????????????? / ????. ?? ??????. ??. ???????. ??.: ????????? ??????????????????, 2021.

Barzilai, M. (2006). On exposure: photography and uncanny memory in W.G. Sebald?s Die Ausgewanderten and Austerlitz. In S. Denham, & M. McCulloh (Eds.), W.G. Sebald: history, memory, trauma. Berlin and New York, de Gruyte, 205?218.

Caruth, C. (1996). Unclaimed experience: trauma, narrative, and history. Baltimore, John Hopkins University Press.

Caruth, C. (2013). Literature in the ashes of history. Baltimore, John Hopkins University Press.

Crownshaw, R. (2004). Reconsidering postmemory: photography, the archive, and postHolocaust memory in W.G. Sebald?s ??Austerlitz??. An Interdisciplinary Critical Journal, 37, 215?236.

Denham, S. (2006). Foreward: the Sebald phenomenon. In S. Denham, & M. McCulloh (Eds.), W.G.Sebald: history, memory, trauma. Berlin and New York, de Gruyte, 1?6.

Fuchs, A. (2004). Die Schmerzensspuren der Geschichte. Zur Poetik der Erinnerung in W.G. Sebalds Prosa. K?ln, B?hlau.

Hirsch, M. (1997). Family frames. Photography, narrative and postmemory. Cambridge, Harvard.

Long, J.J. (2003). History, narrative, and photography in W.G. Sebald?s ??Die Ausgewanderten??. The Modern Language Review, 98, 117?137.

Long, J.J. (2006). Monika Maron?s Pawels Briefe: photography, narrative and the claims of postmemory. In A. Fuchs, & M. Cosgrove (Eds.), German memory contests. Rochester, NY, Camden House.

References

Assman, A. (2014). Dlinnaya ten? proshlogo: memorial?naya kul?tura i istoricheskaya politika [The long shadow of the past: memorial culture and historical politics] (B. Khlebnikov, Trans.). Moscow: Novoye literaturnoye obozreniye.

Hirsh, M. (2021). The generation of postmemory: writing and visual culture after the Holocaust (N. Epple, Trans). Moscow: Novoye literaturnoye obozreniye.

Barzilai, M. (2006). On exposure: photography and uncanny memory in W.G. Sebald?s Die Ausgewanderten and Austerlitz. In S. Denham, & M. McCulloh (Eds.), W.G. Sebald: history, memory, trauma. Berlin and New York, de Gruyte, 205?218.

Caruth, C. (1996). Unclaimed experience: trauma, narrative, and history. Baltimore, John Hopkins University Press.

Caruth, C. (2013). Literature in the ashes of history. Baltimore, John Hopkins University Press.

Crownshaw, R. (2004). Reconsidering postmemory: photography, the archive, and post-Holocaust memory in W.G. Sebald?s ??Austerlitz??. An Interdisciplinary Critical Journal, 37, 215?236.

Denham, S. (2006). Foreward: the Sebald phenomenon. In S. Denham, & M. McCulloh (Eds.), W.G. Sebald: history, memory, trauma. Berlin and New York, de Gruyte, 1?6.

Fokeeva, M.P. (2021). Tema travmy v estetike vtoroy poloviny XX veka: Opyt V.G. Zebal?da [The theme of trauma in the aesthetics of the second half of the 20th century: W.G. Sebald?s experience] (Doctoral Dissertation Abstract, The State Institute for Art Studies, Moscow).

Fuchs, A. (2004). Die Schmerzensspuren der Geschichte. Zur Poetik der Erinnerung in W.G. Sebalds Prosa [The pain of history. The poetics of memory in W.G. Sebald?s prose]. K?ln, B?hlau.

Hirsch, M. (1997). Family frames. Photography, narrative and postmemory. Cambridge, Harvard.

Long, J.J. (2003). History, narrative, and photography in W.G. Sebald?s ??Die Ausgewanderten??. The Modern Language Review, 98, 117?137.

Long, J.J. (2006). Monika Maron?s Pawels Briefe: photography, narrative and the claims of postmemory. In A. Fuchs, & M. Cosgrove (Eds.), German memory contests. Rochester, NY, Camden House.

Sebald, W.G. (2006). Austerlitz (M. Koreneva, Trans.). St. Petersburg: Azbuka-klassika.

Sebald, W.G. (2016). Die Ringe des Saturn [The rings of Saturn] (M. Koreneva, Trans.). Moscow: Novoye izdatel?stvo.

Sebald, W.G. (2019). Luftkrieg und Literatur [On the natural history of destruction] (N. Fedorov, Trans.). Moscow: Novoye izdatel?stvo.


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